Bathroom Paintings: Seascapes, Rivers and Botanicals (page 8)

Water, shoreline, sky and botanicals, sized for the wall above the tub or beside the mirror.

Showing 337 to 384 of 387 paintings

The Forest Stream, Jacob van Ruisdael, ca. 1660, oil on canvas

Jacob van Ruisdael The Forest Stream, ca. 1660 The Met

Life-size painting of an urban scene in Paris.

Gustave Caillebotte Paris Street; Rainy Day, 1877 Art Institute of Chicago

Gold folded tall screen with red flowers, green maize plants.

Unknown artist Maize and Cockscombs, mid 17th century Art Institute of Chicago

Catherine Brooks Hall, William Sidney Mount, ca. 1830, oil on canvas

William Sidney Mount Catherine Brooks Hall, ca. 1830 The Met

Rinaldo and Armida in Her Garden, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and Armida in Her Garden, c. 1742–45 Art Institute of Chicago

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

Fishing, Édouard Manet, ca. 1862–63, oil on canvas

Édouard Manet Fishing, ca. 1862–63 The Met

Nevada Falls, Yosemite, Albert Bierstadt, 1872 or 1873, oil on canvas

Albert Bierstadt Nevada Falls, Yosemite, 1872 or 1873 The Met

This painting shows a serene forest setting with a wide, shallow stream flowing gently towards us. The scene is enclosed by tall trees on either side.

Worthington Whittredge Trout Brook in the Catskills, 1875 National Gallery of Art

Searchlight on Harbor Entrance, Santiago de Cuba, Winslow Homer, 1902, oil on canvas

Winslow Homer Searchlight on Harbor Entrance, Santiago de Cuba, 1902 The Met

Dense canopies enclose a forested interior along a stream in this horizontal landscape painting.

Gustave Courbet The Stream (Le Ruisseau du Puits-Noir; vallée de la Loue), 1855 National Gallery of Art

A pair of arched cave openings yawn in a steep, rocky cliff face that fills this horizontal painting.

Gustave Courbet La Grotte de la Loue, 1864 National Gallery of Art

Facing away from us, a light-skinned woman blowing a silver horn stands in a grassy landscape in this vertical painting. The woman is lit brightly from the upper right, making her ankle-length, white dress glow.

Winslow Homer The Dinner Horn (Blowing the Horn at Seaside), 1870 National Gallery of Art

The Cascade, Jean-Honoré Fragonard, ca. 1775, oil on wood

Jean-Honoré Fragonard The Cascade, ca. 1775 The Met

The Public Garden at Pontoise, Camille Pissarro, 1874, oil on canvas

Camille Pissarro The Public Garden at Pontoise, 1874 The Met

The Gardener, Georges Seurat, 1882–83, oil on wood

Georges Seurat The Gardener, 1882–83 The Met

From high up, we look down and out at a river with seven ferries and barges, the waterway lined with buildings on the bank to our right, in this loosely painted, horizontal landscape.

Camille Pissarro The Louvre, Afternoon, Rainy Weather, 1900 National Gallery of Art

A tree with emerald-green leaves and laden with white blossoms grows in a dirt field, and is silhouetted against a vibrant blue sky in this horizontal landscape painting. The scene is loosely painted with visible dabs and strokes.

Camille Pissarro Orchard in Bloom, Louveciennes, 1872 National Gallery of Art

A woman bends double to tend a garden that stretches before us in front of two houses in this horizontal landscape painting.

Camille Pissarro The Artist's Garden at Eragny, 1898 National Gallery of Art

Rectangular plots of flowers, each in a single color, stretch toward us below a sky nearly filled with cream-white clouds in this horizontal landscape painting.

Vincent van Gogh Flower Beds in Holland, c. 1883 National Gallery of Art

Painting in tones of gray and brown, with some green and blue, of a woman digging with a garden tool before a structure with a thatched roof that descends almost to the ground. Above her the sky is gray and blue, a haze of clouds.

Vincent van Gogh A Peasant Woman Digging in Front of Her Cottage, c. 1885 Art Institute of Chicago

Moorish Buildings in Sunlight, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Moorish Buildings in Sunlight, 1879–80 The Met

Treetops against Sky, John Singer Sargent, 1909–13, watercolor and gouache on white wove paper

John Singer Sargent Treetops against Sky, 1909–13 The Met

This horizontal painting is filled with gray and white clouds against a blue sky. Wisps of white clouds are interspersed among banks of darker gray clouds against a pale blue sky in the top half of the painting.

John Constable Cloud Study: Stormy Sunset, 1821-1822 National Gallery of Art

Winter Scene, Francisco de Goya, c. 1786, oil on canvas

Francisco de Goya Winter Scene, c. 1786 Art Institute of Chicago

The painting depicts a golden, grassy landscape with low green trees in the distance, leading towards vibrant blue water on the horizon.

William Merritt Chase Gathering Autumn Flowers, 1894/1895 National Gallery of Art

This painting shows a brown jug filled with pink roses and green leaves on a brown surface that looks like a suitcase on its side. To the right of the jug are some stacked books, which are a light green color.

Édouard Vuillard The Artist's Paint Box and Moss Roses, 1898 National Gallery of Art

Sunset Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset Sky, 1872 The Met

The Pink Cloud, Henri-Edmond Cross, c. 1896, oil on canvas

Henri-Edmond Cross The Pink Cloud, c. 1896 Cleveland Museum of Art

The image shows three full-body figures standing together. On the left is a female figure holding a feather, in a decorated dress. In the center is a male figure with long, ornamented hair and a beaded robe, holding a fur piece and shield.

George Catlin Three Minatarree Indians, 1861 National Gallery of Art

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

In this painting, a person appears to pull a long brown-and-green canoe out of the water and onto a grassy stretch of land. The person wears a hat and a green shirt with brown trousers, and their face is indistinct.

Winslow Homer Sunset, c. 1875 National Gallery of Art

Neptune and the Winds, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo Neptune and the Winds, 1760s The Met

Evening: Landscape with an Aqueduct, Théodore Géricault, 1818, oil on canvas

Théodore Géricault Evening: Landscape with an Aqueduct, 1818 The Met

Trees and a Stream on a Hillside, Jasper Francis Cropsey, 1853, oil on board

Jasper Francis Cropsey Trees and a Stream on a Hillside, 1853 Cleveland Museum of Art

Midas Washing at the Source of the Pactolus, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin Midas Washing at the Source of the Pactolus, ca. 1627 The Met

Orchard, Édouard Vuillard, 1897, oil on board

Édouard Vuillard Orchard, 1897 Cleveland Museum of Art

Storm Clouds, John Henry Twachtman, 1880, oil on canvas

John Henry Twachtman Storm Clouds, 1880 Cleveland Museum of Art

Portrait of George Pitt, First Baron Rivers, Thomas Gainsborough, 1769, oil on canvas

Thomas Gainsborough Portrait of George Pitt, First Baron Rivers, 1769 Cleveland Museum of Art

A Winter Sky, George Inness, 1866, oil on canvas

George Inness A Winter Sky, 1866 Cleveland Museum of Art

Painting of four figures in blue, red, brown dresses playing croquet.

Winslow Homer Croquet Scene, 1866 Art Institute of Chicago

Two people, perhaps a woman and man, and a baby sit at a table in a courtyard surrounded by vine-covered walls in this square painting. The scene is loosely painted with visible dabs, dashes, or smudges. The table is to the left of center.

Édouard Vuillard Repast in a Garden, 1898 National Gallery of Art

The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo The Apotheosis of the Spanish Monarchy, 1760s The Met

Close to us, a young man and three boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea in this horizontal painting.

Winslow Homer Breezing Up (A Fair Wind), 1873-1876 National Gallery of Art

We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting.

John Constable Wivenhoe Park, Essex, 1816 National Gallery of Art

Fir Trees and Storm Clouds, Albert Bierstadt, c. 1870, oil on paper mounted on canvas

Albert Bierstadt Fir Trees and Storm Clouds, c. 1870 Cleveland Museum of Art

The Forest in Winter at Sunset, Théodore Rousseau, ca. 1846–67, oil on canvas

Théodore Rousseau The Forest in Winter at Sunset, ca. 1846–67 The Met

Joan of Arc, Jules Bastien-Lepage, 1879, oil on canvas

Jules Bastien-Lepage Joan of Arc, 1879 The Met