Impressionist Paintings for the Dining Room (page 3)

Showing 97 to 126 of 126 Impressionist paintings

An older man with ruddy, peachy skin stands in the lower right of this vertical painting holding a large, green, leafy cabbage. He is shown from the hips up and faces our left with his body angled slightly toward us.

Camille Pissarro The Gardener - Old Peasant with Cabbage, 1883-1895 National Gallery of Art

A long, brightly lit room is filled with at least nine young ballerinas in robin’s egg-blue dance costumes and pale pink shoes in this wide, horizontal painting. They all have light skin and brown or dark blond hair.

Edgar Degas The Dance Lesson, c. 1879 National Gallery of Art

View of the Port of Saint-Valéry-sur-Somme, Eugène Boudin, 1891, oil on canvas

Eugène Boudin View of the Port of Saint-Valéry-sur-Somme, 1891 Cleveland Museum of Art

Carmencita, William Merritt Chase, 1890, oil on canvas

William Merritt Chase Carmencita, 1890 The Met

Arques-la-Bataille, John Henry Twachtman, ca. 1884, oil on canvas

John Henry Twachtman Arques-la-Bataille, ca. 1884 The Met

This painting shows a coastal scene with a rocky tan cliff on the left side extending down to the blue sea. The horizon is in the middle of the painting, with a bright, slightly cloudy blue sky above the sea.

Eugène Boudin Washerwomen on the Beach of Etretat, 1894 National Gallery of Art

This horizontal painting shows a harbor scene filled with tall-masted ships and steamships adorned with colorful flags. The masts of the ship to our left dominate the composition, reaching almost to the top edge of the painting.

Eugène Boudin Festival in the Harbor of Honfleur, 1858 National Gallery of Art

Portrait of Wyatt Eaton, Julian Alden Weir, ca. 1878, oil on canvas

Julian Alden Weir Portrait of Wyatt Eaton, ca. 1878 Smithsonian American Art Museum

Hemlock Pool, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman Hemlock Pool, ca. 1890-1900 Smithsonian American Art Museum

Maréchal Niel Roses, Childe Hassam, 1919, oil on canvas

Childe Hassam Maréchal Niel Roses, 1919 Smithsonian American Art Museum

This painting shows a woman seated on a wooden chair, facing the right with her head slightly tilted down. She is focused on the thin silver needles she holds in her hands.

Edmund Charles Tarbell Josephine Knitting, 1916 National Gallery of Art

For the Little One, William Merritt Chase, ca. 1896, oil on canvas

William Merritt Chase For the Little One, ca. 1896 The Met

This painting shows a cluster of trees against a bright sky in shades of pale yellow and pale seafoam green. Closest to us, a green-gray path stretches horizontally next to tall teal and blue grasses.

Julian Alden Weir Moonlight, c. 1905 National Gallery of Art

(Landscape), Julian Alden Weir, after 1900, oil on wood

Julian Alden Weir (Landscape), after 1900 Smithsonian American Art Museum

This painting shows two women in a room. At the center of the painting, a young woman is seated at a desk, her hand resting on the back of the chair, opening a small drawer.

Edmund Charles Tarbell Mother and Mary, 1922 National Gallery of Art

This is a painting depicting a social gathering under a large pavilion outdoors. The background shows a green, hilly landscape with hints of brown and white buildings in the distance, under a sky of soft blues with wispy gray clouds.

Eugène Boudin Concert at the Casino of Deauville, 1865 National Gallery of Art

St. Jerome, William Merritt Chase, ca. 1872-1879, oil on canvas

William Merritt Chase St. Jerome, ca. 1872-1879 Smithsonian American Art Museum

Joseph Rodefer DeCamp The Seamstress, 1916 National Gallery of Art

A pale-skinned girl wearing an arctic-blue ballet costume stands looking at us and almost fills this vertical painting. The scene is painted with blended strokes, giving it a soft, almost blurry look.

Pierre-Auguste Renoir The Dancer, 1874 National Gallery of Art

We look beyond a cluster of flags hanging from the side of one tall building onto a wide street at a row of buildings across from us in this vertical painting.

Childe Hassam Allies Day, May 1917, 1917 National Gallery of Art

We look down onto a landscape where several laundry lines have been draped mostly with white sheets or cloth to dry in a flat, grassy yard in front of a rustic house and a distant town in this horizontal painting.

Berthe Morisot Hanging the Laundry out to Dry, 1875 National Gallery of Art

Roses in a Vase, Pierre-Auguste Renoir, c. 1890, oil on fabric

Pierre-Auguste Renoir Roses in a Vase, c. 1890 Cleveland Museum of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

Beggar with a Duffle Coat (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with a Duffle Coat (Philosopher), 1865–67 Art Institute of Chicago

Four light-skinned ballerinas with russet-orange hair tied back in buns adjust the straps of their bodices as they gather close together, their bodies and wide, knee-length tutus taking up the left half of this horizontal painting.

Edgar Degas Four Dancers, c. 1899 National Gallery of Art

This painting shows a person in an agricultural setting. The background is made of horizontal bands of browns and greens, painted in short, overlapping strokes.

Georges Seurat Peasant with a Hoe, c. 1882 National Gallery of Art

We look slightly down onto a loosely painted scene with three ballerinas in rose-pink costumes and one man, wearing a black suit and top hat, against a backdrop made up of dabs and strokes of lime, mint, and pine green in this vertical…

Edgar Degas Dancers Backstage, 1876/1883 National Gallery of Art

This painting shows a busy marketplace scene at eye level with a crowd of people and cattle. Hills are in the distance under a cloudy gray sky, and in front of them we can see a line of rooftops and a tall church spire.

Eugène Boudin Fair in Brittany, 1874 National Gallery of Art

This painting shows two people. A woman is seen from the knees up in the center, standing partially in front of the man next to her, her body facing the left and her head turned back towards us.

Jean-Louis Forain Behind the Scenes, c. 1880 National Gallery of Art

Shown from the lap up a pale-skinned young girl sits in a grassy landscape in this vertical painting. The girl and surroundings are painted with visible strokes and dashes of mostly vivid greens and blues, which give the scene a soft look.

Camille Pissarro Peasant Girl with a Straw Hat, 1881 National Gallery of Art