Impressionist Paintings for the Dining Room

Here are 126 Impressionist paintings for the dining room, painted between 1858 and 1928, with works by Pierre-Auguste Renoir, Camille Pissarro and Édouard Manet; the subjects they return to most are still life, and work and labor. Dining rooms have hosted still lifes for four hundred years for a reason.

All 769 paintings for the dining room

Every Impressionist painting, for any room

Woman Reading, Édouard Manet 16 × 20 in portrait print (41 × 51 cm), centered 49¼ in from the floor, 8 in above the dining table. Drawn to scale on a 12 × 8 ft wall.

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Showing 1 to 48 of 126 Impressionist paintings

A young woman in a dark hat and coat with light ruffled collar sits reading a large periodical held up in her gloved hands. Flowers and foliage are suggested behind her.

Édouard Manet Woman Reading, 1880–82 Art Institute of Chicago

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas, 1865, oil on canvas

Edgar Degas A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865 The Met

Opulently dressed light-skinned man and woman drink at a small table. A mirror behind them reflects a crowd. Her blue dress and dark hat dominate.

William Glackens At Mouquin's, 1905 Art Institute of Chicago

Thistles, John Singer Sargent, 1883–89, oil on canvas

John Singer Sargent Thistles, 1883–89 Art Institute of Chicago

Apples and grapes rest in a shallow wicker basket on a table covered with a light-colored cloth. Additional fruit is scattered on the table.

Claude Monet Apples and Grapes, 1880 Art Institute of Chicago

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background.

Pierre-Auguste Renoir Chrysanthemums, 1881–82 Art Institute of Chicago

Fruits of the Midi, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Fruits of the Midi, 1881 Art Institute of Chicago

The Brioche, Édouard Manet, 1870, oil on canvas

Édouard Manet The Brioche, 1870 The Met

Peonies, Édouard Manet, 1864–65, oil on canvas

Édouard Manet Peonies, 1864–65 The Met

Still Life with Apples and Pitcher, Camille Pissarro, 1872, oil on canvas

Camille Pissarro Still Life with Apples and Pitcher, 1872 The Met

Bouquet of Chrysanthemums, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Bouquet of Chrysanthemums, 1881 The Met

Still Life with Flowers and Prickly Pears, Pierre-Auguste Renoir, ca. 1885, oil on canvas

Pierre-Auguste Renoir Still Life with Flowers and Prickly Pears, ca. 1885 The Met

Nine oranges and lemons sit in a shallow basket with dark green, spiky branches behind and a pair of cobalt-blue gloves in front in this horizontal still life painting.

Vincent van Gogh Still Life of Oranges and Lemons with Blue Gloves, 1889 National Gallery of Art

A golden yellow melon painted with thick strokes of straw and butter yellow with touches of camel brown sits at the center of a wooden table with a blue top in this almost square still life painting.

Édouard Manet The Melon, c. 1880 National Gallery of Art

Two bottles, a carafe, drinking glass, plate, knife, and loaf of bread are arranged on a table covered with a white cloth in this horizontal still-life painting. The narrow table angles from the lower left toward the wall to our right.

Claude Monet Still Life with Bottle, Carafe, Bread, and Wine, c. 1862/1863 National Gallery of Art

Pierre-Auguste Renoir Girl with a Basket of Oranges, c. 1889 National Gallery of Art

A white rose, grapes and other fruit, a squat gourd, a bottle, and a glass are arranged across a dark wood table partly covered by a white cloth in this horizontal still life painting.

Édouard Manet Still Life with Melon and Peaches, c. 1866 National Gallery of Art

A cloud of canary-yellow flowers with pumpkin-orange centers on tall stems with emerald and pine-green leaves fills the top half of this vertical still life painting.

Claude Monet Jerusalem Artichoke Flowers, 1880 National Gallery of Art

A young woman with pale, peach skin wearing a white apron over an ankle-length navy-blue dress stands in a dining room in this vertical painting. The painting is created using loose brushstrokes throughout.

Berthe Morisot In the Dining Room, 1886 National Gallery of Art

In a darkened room, two women sit at a round table near a man who stands leaning against a fireplace mantle, all illuminated only by a soft, yellow light from a ceiling lamp hanging over the table in this nearly square painting.

Claude Monet Interior, after Dinner, 1868/1869 National Gallery of Art

A loose arrangement of colorful wildflowers bursting out of a red clay jug sits near the back left corner of a tabletop and fills the top two-thirds of this vertical still life painting.

Pierre-Auguste Renoir Flowers in a Vase, c. 1866 National Gallery of Art

Fish, William Merritt Chase, by 1910, oil on canvas

William Merritt Chase Fish, by 1910 The Met

Pink Azalea—Chinese Vase, William Merritt Chase, 1880–90 (?), oil on wood

William Merritt Chase Pink Azalea—Chinese Vase, 1880–90 (?) The Met

Still Life: Fish, William Merritt Chase, by 1908, oil on canvas

William Merritt Chase Still Life: Fish, by 1908 The Met

Fruit, Julian Alden Weir, ca. 1888, oil on canvas

Julian Alden Weir Fruit, ca. 1888 The Met

We look slightly down onto a wooden table or buffet with a basket of fruit, a vase of pink and white flowers, a book, and a small tray holding a teacup, saucer, and two oranges in this horizontal still life painting.

Henri Fantin-Latour Still Life, 1866 National Gallery of Art

Still Life with Peaches and Grapes, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Still Life with Peaches and Grapes, 1881 The Met

The Apple Seller, Pierre-Auguste Renoir, c. 1890, oil on fabric

Pierre-Auguste Renoir The Apple Seller, c. 1890 Cleveland Museum of Art

In this painting, a collection of large, ripe peaches sits on a light green plate with a white rim. The peaches are painted in shades of orange, yellow, and red, with some areas of dark red and black.

Pierre-Auguste Renoir Peaches on a Plate, 1902/1905 National Gallery of Art

Four flowers and greenery create a loose bouquet in a clear glass in this vertical still life, which is painted with visible brushstrokes throughout. The glass has a tall, narrow, rounded bowl on a flaring foot like a drinking glass.

Berthe Morisot Peonies, c. 1869 National Gallery of Art

Two green pears lit from the upper right sit on a pale blue tabletop or ledge against a dark background in this horizontal still life painting. The left pear sits upright against the other.

Édouard Manet Pears, 1880 National Gallery of Art

Peach Blossoms, Winslow Homer, 1878, oil on canvas

Winslow Homer Peach Blossoms, 1878 Art Institute of Chicago

Beggar with Oysters (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with Oysters (Philosopher), 1865–67 Art Institute of Chicago

A plate of oysters, a halved lemon, an oyster fork and shells, and a dish of salt are arranged on a wooden tabletop in front of a gray wall in this horizontal still life painting.

Édouard Manet Oysters, 1862 National Gallery of Art

We look down at the end of a narrow table at a white plate, pot, knife, and spoon set on the white tablecloth in this horizontal still life painting.

Henri Fantin-Latour Still Life with Mustard Pot, 1860 National Gallery of Art

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

Seven roses in full bloom are clustered in a wide bouquet set against a dark brown background in this horizontal still life painting. The blossom to our left is peach, and a bud dips down in front of that flower.

Henri Fantin-Latour _Roses de Nice_ on a Table, 1882 National Gallery of Art

A blue and white bowl overflowing with grapes, two loose bunches of grapes, and a vivid pink carnation lie on a white tablecloth against a dark brown background in this still life painting.

Henri Fantin-Latour Still Life with Grapes and a Carnation, c. 1880 National Gallery of Art

The image shows a still life of round fruits, such as grapes and peaches, placed on a white plate. The color scheme consists of warm browns, muted greens, and deep reds. The fruits have a natural sheen.

Henri Fantin-Latour Still Life with Peaches and Grapes, 1896 National Gallery of Art

This painting shows three large peaches on a round white plate. The peaches are in shades of red, pink, and light yellow, and they cast dark shadows on the plate. The plate rests on a brown surface which fills the background of the image.

Henri Fantin-Latour Three Peaches on a Plate, 1868 National Gallery of Art

A bouquet of cut flowers in a clear glass vase nearly fills this vertical painting. The vase has straight sides and the rounded bottom is supported by short, round feet.

Édouard Manet Flowers in a Crystal Vase, c. 1882 National Gallery of Art

Large painting of people in a crowded park, brushstrokes are dots.

Georges Seurat A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89 Art Institute of Chicago

Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head.

Edgar Degas Yellow Dancers (In the Wings), 1874–76 Art Institute of Chicago

Haymaking at Éragny, Camille Pissarro, 1892, oil on canvas

Camille Pissarro Haymaking at Éragny, 1892 Art Institute of Chicago

A man and woman stand in a sunny field near a line of cone-shaped haystacks under a massive blue sky in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes throughout.

Camille Pissarro Landscape, Ile-de-France, 1873 National Gallery of Art

We look slightly down onto two girls or young women with light skin sitting close to us in a green, grassy field in this square landscape painting.

Camille Pissarro Young Peasant Girls Resting in the Fields near Pontoise, 1882 National Gallery of Art

Rue de l'Epicerie, Rouen (Effect of Sunlight), Camille Pissarro, 1898, oil on canvas

Camille Pissarro Rue de l'Epicerie, Rouen (Effect of Sunlight), 1898 The Met

The Harvest, Pontoise (La Récolte, Pontoise), Camille Pissarro, 1881, oil on canvas

Impressionist Paintings for the Dining Room

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