Vertical Paintings for the Dining Room (page 3)

Showing 97 to 144 of 180 vertical paintings

Portrait of a Woman, probably a Member of the Van Beresteyn Family, Rembrandt van Rijn, 1632, oil on canvas

Rembrandt van Rijn Portrait of a Woman, probably a Member of the Van Beresteyn Family, 1632 The Met

An older woman wearing a long black dress sits reading a book in front of a younger woman wearing cream white, who sits on a couch just beyond, in this vertical portrait painting.

Berthe Morisot The Mother and Sister of the Artist, 1869/1870 National Gallery of Art

This painting depicts a woman and a child standing in a wooded area. The woman holds a closed parasol in one hand and reaches down towards the child with the other.

Camille Corot Madame Stumpf and Her Daughter, 1872 National Gallery of Art

We look slightly down onto a baby tucked into an oval-shaped cradle with a woman sitting on the far side looking down at the child in this vertical painting. Both the woman and baby have light skin.

Claude Monet The Cradle - Camille with the Artist's Son Jean, 1867 National Gallery of Art

New England Scenery, Thomas Cole, 1839, oil on canvas

Thomas Cole New England Scenery, 1839 Art Institute of Chicago

Spring Flowers, Claude Monet, 1864, oil on canvas

Claude Monet Spring Flowers, 1864 Cleveland Museum of Art

The House with the Cracked Walls, Paul Cézanne, 1892–94, oil on canvas

Paul Cézanne The House with the Cracked Walls, 1892–94 The Met

Côte des Grouettes, near Pontoise, Camille Pissarro, probably 1878, oil on canvas

Camille Pissarro Côte des Grouettes, near Pontoise, probably 1878 The Met

The Flight into Egypt, Giovanni Battista Tiepolo, ca. 1767–70, oil on canvas

Giovanni Battista Tiepolo The Flight into Egypt, ca. 1767–70 The Met

A person rides a horse away from us on a narrow dirt path curving through a forest dominated by golden yellow trees in this vertical landscape painting.

Camille Corot The Forest of Coubron, 1872 National Gallery of Art

Shown from the waist up behind a stone ledge, a young woman nestles a nude baby against her chest in this vertical painting.

Giovanni Bellini Madonna and Child in a Landscape, c. 1480/1485 National Gallery of Art

Shown from the hips up, a woman sits facing our left as she cradles a child in her lap in this vertical painting. A ginger-brown parapet spanning the lower edge of the composition separates them from us, and they have pale skin.

Giovanni Bellini Madonna and Child in a Landscape, c. 1490/1500 National Gallery of Art

We look across a placid pond at sandstone-white buildings with brown and terracotta-red roofs nestled within a grove of green trees and plants in this vertical landscape painting.

Paul Cézanne House of Père Lacroix, 1873 National Gallery of Art

A woman sits among loosely painted, crescent-shape blades of emerald and lemon-lime green grass, under tall trees in this vertical scene. The brushstrokes are unconnected and visible, so many of the details difficult to make out.

Claude Monet Woman Seated under the Willows, 1880 National Gallery of Art

Saint John the Baptist in the Wilderness, Diego Velázquez, c. 1622, oil on canvas

Diego Velázquez Saint John the Baptist in the Wilderness, c. 1622 Art Institute of Chicago

Shown from the waist up, a woman with pale skin and brown hair, wearing a dark corset and white fabric over her shoulders, looks down at needlework in her hands in this vertical painting.

Diego Velázquez The Needlewoman, c. 1640/1650 National Gallery of Art

We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin.

Mary Cassatt Woman with a Sunflower, c. 1905 National Gallery of Art

Pierre-Auguste Renoir Girl with a Basket of Fish, c. 1889 National Gallery of Art

Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver, John Singer Sargent, c. 1879, oil on canvas

John Singer Sargent Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver, c. 1879 Art Institute of Chicago

A light-skinned, blond Virgin Mary in blue holds a child, his arms reaching around her neck and face upturned toward hers. At left, an angel looks on.

Sandro Botticelli Virgin and Child with an Angel, 1475–85 Art Institute of Chicago

The Holy Family with Mary Magdalen, El Greco, c. 1590–95, oil on canvas

El Greco The Holy Family with Mary Magdalen, c. 1590–95 Cleveland Museum of Art

Music and Dance and Cupids in Conspiracy, François Boucher, 1740s, oil on canvas

François Boucher Music and Dance and Cupids in Conspiracy, 1740s Cleveland Museum of Art

The Return of the Holy Family to Nazareth, Nicolas Poussin, c. 1627, oil on canvas

Nicolas Poussin The Return of the Holy Family to Nazareth, c. 1627 Cleveland Museum of Art

A Woman Gathering Faggots at Ville-d'Avray, Camille Corot, ca. 1871–74, oil on canvas

Camille Corot A Woman Gathering Faggots at Ville-d'Avray, ca. 1871–74 The Met

The Adoration of the Shepherds, El Greco, ca. 1605–10, oil on canvas

El Greco The Adoration of the Shepherds, ca. 1605–10 The Met

The Adoration of the Shepherds, El Greco, ca. 1612–14, oil on canvas

El Greco The Adoration of the Shepherds, ca. 1612–14 The Met

The Holy Family with Saint Elizabeth, Saint John, and a Dove, Peter Paul Rubens, ca. 1608–9, oil on oak

Peter Paul Rubens The Holy Family with Saint Elizabeth, Saint John, and a Dove, ca. 1608–9 The Met

The Holy Family with Saint John the Baptist, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin The Holy Family with Saint John the Baptist, ca. 1627 The Met

Shown from the shins up, a woman with medium-toned skin plays a mandolin in this loosely painted vertical composition. The woman’s body faces us but her head tips to our left and she looks down in that direction with dark eyes.

Camille Corot Gypsy Woman with Mandolin, c. 1870 National Gallery of Art

A young woman sitting with a nude infant lying in her lap is flanked on either side by an older woman to our left and an elderly man with a nude young boy to our right in this vertical painting. They all have pale skin tinged with blue.

El Greco The Holy Family with Saint Anne and the Infant John the Baptist, c. 1595/1600 National Gallery of Art

A man and woman, both with pale, peachy skin, sit on opposite sides of a burgundy-red, low-backed sofa in a room wallpapered with a striped, floral pattern in this vertical painting.

Edgar Degas Edmondo and Thérèse Morbilli, c. 1865 National Gallery of Art

This painting features a woman standing, with her body slightly turned to the right and her head facing downward. She has light skin, pink cheeks, and dark hair partially covered by a red-and-white patterned head scarf.

Camille Pissarro Peasant Woman, 1880 National Gallery of Art

A man and woman standing with their backs to us face a room where others stand or pose in this vertical painting.

Henri de Toulouse-Lautrec Quadrille at the Moulin Rouge, 1892 National Gallery of Art

Shown from the hips up, a young man with pale skin and wearing black clothing sits with his body angled to our right as he turns to look at us in this vertical portrait painting. He looks out with green eyes under hooded lids.

Rembrandt van Rijn A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660 National Gallery of Art

An older man with ruddy, peachy skin stands in the lower right of this vertical painting holding a large, green, leafy cabbage. He is shown from the hips up and faces our left with his body angled slightly toward us.

Camille Pissarro The Gardener - Old Peasant with Cabbage, 1883-1895 National Gallery of Art

Carmencita, William Merritt Chase, 1890, oil on canvas

William Merritt Chase Carmencita, 1890 The Met

Rachel Ruysch (1664–1750), Rachel Ruysch, 1692, oil on canvas

Rachel Ruysch Rachel Ruysch (1664–1750), 1692 The Met

Two pale-skinned women are shown from the waist up behind a counter in an interior space in this nearly square painting.

Édouard Vuillard Woman in a Striped Dress, 1895 National Gallery of Art

This painting shows a woman seated on a wooden chair, facing the right with her head slightly tilted down. She is focused on the thin silver needles she holds in her hands.

Edmund Charles Tarbell Josephine Knitting, 1916 National Gallery of Art

For the Little One, William Merritt Chase, ca. 1896, oil on canvas

William Merritt Chase For the Little One, ca. 1896 The Met

This painting shows two women seated on yellow-gold chairs in a room. The woman on the left appears young, with short brown hair and light skin.

Édouard Vuillard Women Sewing, c. 1912 National Gallery of Art

A Gorge in the Mountains (Kauterskill Clove), Sanford Robinson Gifford, 1862, oil on canvas

Sanford Robinson Gifford A Gorge in the Mountains (Kauterskill Clove), 1862 The Met

The Old Pine, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Old Pine, Darien, Connecticut, 1872 The Met

Evening in the Woods, Worthington Whittredge, 1876, oil on canvas

Worthington Whittredge Evening in the Woods, 1876 The Met

The Trout Pool, Worthington Whittredge, 1870, oil on canvas

Worthington Whittredge The Trout Pool, 1870 The Met

Landscape with a Sunlit Stream, Charles-François Daubigny, ca. 1877, oil on canvas

Charles-François Daubigny Landscape with a Sunlit Stream, ca. 1877 The Met

This painting shows a cluster of trees against a bright sky in shades of pale yellow and pale seafoam green. Closest to us, a green-gray path stretches horizontally next to tall teal and blue grasses.

Julian Alden Weir Moonlight, c. 1905 National Gallery of Art

A sinewy older man, his pale skin mostly exposed, sits on a stone low to the ground facing a table on our right in the center of this vertical painting. His gray hair is cropped short, and he has a graying, long beard.

Paolo Veronese Saint Jerome in the Wilderness, c. 1575/1585 National Gallery of Art