Vertical Paintings for the Dining Room (page 4)

Showing 145 to 180 of 180 vertical paintings

Cool light filters through a thick, verdant forest in this vertical landscape painting. Most of the trees have high canopies with celery, matcha, and olive-green leaves.

Asher Brown Durand Forest in the Morning Light, c. 1855 National Gallery of Art

Saint John the Baptist Bearing Witness, Annibale Carracci, ca. 1600, oil on copper

Annibale Carracci Saint John the Baptist Bearing Witness, ca. 1600 The Met

A Peasant Girl Knitting, Jules Breton, ca. 1870, oil on canvas

Jules Breton A Peasant Girl Knitting, ca. 1870 The Met

The Proposal, William-Adolphe Bouguereau, 1872, oil on canvas

William-Adolphe Bouguereau The Proposal, 1872 The Met

Christmas-Time, The Blodgett Family, Eastman Johnson, 1864, oil on canvas

Eastman Johnson Christmas-Time, The Blodgett Family, 1864 The Met

The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729, oil on canvas

William Hogarth The Wedding of Stephen Beckingham and Mary Cox, 1729 The Met

The Holy Family with Saint Mary Magdalen, Andrea Mantegna, ca. 1495–1500, distemper on canvas

Andrea Mantegna The Holy Family with Saint Mary Magdalen, ca. 1495–1500 The Met

Shown from the knees up, an older man sits in a rustic wooden chair and holds up a pocket watch for a young child who stands at his knees in this vertical portrait painting. They both have pale, peachy skin with flushed cheeks.

Henry Raeburn John Tait and His Grandson, c. 1793, with additions c. 1800 National Gallery of Art

A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel.

Agnolo Bronzino A Young Woman and Her Little Boy, c. 1540 National Gallery of Art

Two women, a man, and two pudgy children create a close-knit group against a dark brown background in this vertical painting. The people all have pale skin with rosy cheeks, blond or copper-colored hair, and delicate gold rings as halos.

Agnolo Bronzino The Holy Family, c. 1527/1528 National Gallery of Art

Two young boys sit side by side on some boulders with a cloudy sky behind them and dark tree branches above in this vertical portrait painting.

Henry Raeburn The Binning Children, probably c. 1811 National Gallery of Art

Joseph Rodefer DeCamp The Seamstress, 1916 National Gallery of Art

A pale-skinned girl wearing an arctic-blue ballet costume stands looking at us and almost fills this vertical painting. The scene is painted with blended strokes, giving it a soft, almost blurry look.

Pierre-Auguste Renoir The Dancer, 1874 National Gallery of Art

We look beyond a cluster of flags hanging from the side of one tall building onto a wide street at a row of buildings across from us in this vertical painting.

Childe Hassam Allies Day, May 1917, 1917 National Gallery of Art

Shown from the knees up, a woman with peach-colored skin and dark hair sits facing us and holding a baby in this stylized, vertical portrait painting.

Amedeo Modigliani Roma Woman with Baby, 1919 National Gallery of Art

Beggar with a Duffle Coat (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with a Duffle Coat (Philosopher), 1865–67 Art Institute of Chicago

The Sheepshearers, Jean-François Millet, c. 1857–61, oil on canvas

Jean-François Millet The Sheepshearers, c. 1857–61 Art Institute of Chicago

Shepherdess Seated on a Rock, Jean-François Millet, 1856, oil on wood

Jean-François Millet Shepherdess Seated on a Rock, 1856 The Met

The Dispatch of the Messenger, François Boucher, 1765, oil on canvas

François Boucher The Dispatch of the Messenger, 1765 The Met

Jean-Baptiste-Siméon Chardin The Scullery Maid, c. 1738 National Gallery of Art

A woman wearing a voluminous black dress with a wide, ruffled collar sits holding the hand of a young boy, who stands next to her, in this vertical portrait painting.

Anthony van Dyck A Genoese Noblewoman and Her Son, c. 1626 National Gallery of Art

From a distance, we look slightly down into a lush park filled pairs and groups of elegantly dressed, light-skinned adults and children frolicking and socializing in this vertical painting.

Jean-Honoré Fragonard Blindman's Buff, c. 1775/1780 National Gallery of Art

From a distance, we look down onto and across a lush park filled with elegantly dressed, light-skinned adults and children gathered in small groups as one woman swings from tall trees in this vertical painting.

Jean-Honoré Fragonard The Swing, c. 1775/1780 National Gallery of Art

We look slightly down onto a loosely painted scene with three ballerinas in rose-pink costumes and one man, wearing a black suit and top hat, against a backdrop made up of dabs and strokes of lime, mint, and pine green in this vertical…

Edgar Degas Dancers Backstage, 1876/1883 National Gallery of Art

Orchid Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Orchid Blossoms, 1873 Cleveland Museum of Art

The Van Moerkerken Family, Gerard ter Borch, ca. 1653–54, oil on wood

Gerard ter Borch The Van Moerkerken Family, ca. 1653–54 The Met

The Laundress, Honoré Daumier, 186[3?], oil on oak

Honoré Daumier The Laundress, 186[3?] The Met

Ecce Agnus Dei, Bartolomé Esteban Murillo, c. 1655, oil on canvas

Bartolomé Esteban Murillo Ecce Agnus Dei, c. 1655 Art Institute of Chicago

A man with pale white skin sits and a man with light brown skin stands in front of a cave-like, rocky outcropping in this vertical portrait painting.

Benjamin West Colonel Guy Johnson and Karonghyontye (Captain David Hill), 1776 National Gallery of Art

A Young Woman at Her Toilet with a Maid, Gerard ter Borch, ca. 1650–51, oil on wood

Gerard ter Borch A Young Woman at Her Toilet with a Maid, ca. 1650–51 The Met

An elegantly dressed young woman, a little boy, girl, and a dog are gathered on a veranda in front of a sun-dappled landscape in this vertical portrait painting. All three people have pale skin with rosy cheeks.

Joshua Reynolds Lady Elizabeth Delmé and Her Children, 1777-1779 National Gallery of Art

Both dressed in white, a little boy leans onto the lap of a woman sitting in front of a smooth, sunlit boulder with a landscape to the right in this vertical portrait painting. Both people have pale skin with rosy cheeks.

Thomas Lawrence Lady Mary Templetown and Her Eldest Son, 1802 National Gallery of Art

This painting depicts a collection of large green lily pads and blooming lotus flowers. The flowers are primarily white and pink, resting on the ends of long stems.

Theodore Wores Buddha's Flowers: Lotus, Tokyo, 1894 National Gallery of Art

This painting shows two people. A woman is seen from the knees up in the center, standing partially in front of the man next to her, her body facing the left and her head turned back towards us.

Jean-Louis Forain Behind the Scenes, c. 1880 National Gallery of Art

Shown from the lap up a pale-skinned young girl sits in a grassy landscape in this vertical painting. The girl and surroundings are painted with visible strokes and dashes of mostly vivid greens and blues, which give the scene a soft look.

Camille Pissarro Peasant Girl with a Straw Hat, 1881 National Gallery of Art

Young Man and Woman in an Inn, Frans Hals, 1623, oil on canvas

Frans Hals Young Man and Woman in an Inn, 1623 The Met