Impressionist Paintings for a Guest Room (page 3)

Showing 97 to 144 of 232 Impressionist paintings

Shinnecock Hills, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Shinnecock Hills, ca. 1895 Smithsonian American Art Museum

Spring, Navesink Highlands, Childe Hassam, 1908, oil on canvas

Childe Hassam Spring, Navesink Highlands, 1908 Smithsonian American Art Museum

End of Winter, John Henry Twachtman, after 1889, oil on canvas

John Henry Twachtman End of Winter, after 1889 Smithsonian American Art Museum

The Torrent, John Henry Twachtman, ca. 1900, oil on canvas

John Henry Twachtman The Torrent, ca. 1900 Smithsonian American Art Museum

Upland Pasture, Julian Alden Weir, ca. 1905, oil on canvas

Julian Alden Weir Upland Pasture, ca. 1905 Smithsonian American Art Museum

Hemlock Pool, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman Hemlock Pool, ca. 1890-1900 Smithsonian American Art Museum

Misty May Morn, John Henry Twachtman, 1899, oil on canvas

John Henry Twachtman Misty May Morn, 1899 Smithsonian American Art Museum

On the Terrace, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman On the Terrace, ca. 1890-1900 Smithsonian American Art Museum

The Brook, Greenwich, Connecticut, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman The Brook, Greenwich, Connecticut, ca. 1890-1900 Smithsonian American Art Museum

Improvisation, Childe Hassam, 1899, oil on canvas

Childe Hassam Improvisation, 1899 Smithsonian American Art Museum

Maréchal Niel Roses, Childe Hassam, 1919, oil on canvas

Childe Hassam Maréchal Niel Roses, 1919 Smithsonian American Art Museum

Painting of a young woman outdoors in a light purple dress and head covering with a wooden yoke around her neck suspending large bundles of brightly colored flowers.

George Hitchcock Flower Girl in Holland, 1887 Art Institute of Chicago

Brooklyn Bridge, Henry Ward Ranger, 1899, oil on canvas

Henry Ward Ranger Brooklyn Bridge, 1899 Art Institute of Chicago

From atop a high hill, we look across a broad valley leading to a winding river in this loosely painted horizontal landscape. The scene is created entirely with visible brushstrokes in fresh and vibrant green and shimmering and smoky blues.

Theodore Robinson The Valley of the Seine, from the Hills of Giverny, 1892 National Gallery of Art

A tree with emerald-green leaves and laden with white blossoms grows in a dirt field, and is silhouetted against a vibrant blue sky in this horizontal landscape painting. The scene is loosely painted with visible dabs and strokes.

Camille Pissarro Orchard in Bloom, Louveciennes, 1872 National Gallery of Art

Beaulieu: The Bay of Fourmis, Eugène Boudin, 1892, oil on canvas

Eugène Boudin Beaulieu: The Bay of Fourmis, 1892 The Met

Appledore No. 2, Childe Hassam, 1912, watercolor on paper

Childe Hassam Appledore No. 2, 1912 Smithsonian American Art Museum

Water Lilies (Agapanthus), Claude Monet, c. 1915–26, oil on canvas

Claude Monet Water Lilies (Agapanthus), c. 1915–26 Cleveland Museum of Art

Horizontal oil painting in shades of pale purple, pink, and light blue of a bridge composed of multiple linked archways over water, engulfed in hazy fog.

Claude Monet Waterloo Bridge, Sunlight Effect, 1903 Art Institute of Chicago

The South Ledges, Appledore, Childe Hassam, 1913, oil on canvas

Childe Hassam The South Ledges, Appledore, 1913 Smithsonian American Art Museum

Violet and Silver—The Deep Sea, James McNeill Whistler, 1893, oil on canvas

James McNeill Whistler Violet and Silver—The Deep Sea, 1893 Art Institute of Chicago

Houses of Parliament, London, Claude Monet, 1900–1, oil on canvas

Claude Monet Houses of Parliament, London, 1900–1 Art Institute of Chicago

At the Seaside, William Merritt Chase, ca. 1892, oil on canvas

William Merritt Chase At the Seaside, ca. 1892 The Met

Noon above Newburgh, Childe Hassam, 1916, watercolor on paper

Childe Hassam Noon above Newburgh, 1916 Smithsonian American Art Museum

Poppy Field (Giverny), Claude Monet, 1890–91, oil on canvas

Claude Monet Poppy Field (Giverny), 1890–91 Art Institute of Chicago

Water Lily Pond, Claude Monet, 1917–19, oil on canvas

Claude Monet Water Lily Pond, 1917–19 Art Institute of Chicago

Two horses, one dark brown and one cream white, stand together to our right against a landscape with rolling, sage-green hills and a river or canal in this horizontal painting.

Edgar Degas Horses in a Meadow, 1871 National Gallery of Art

Peach Blossoms, Winslow Homer, 1878, oil on canvas

Winslow Homer Peach Blossoms, 1878 Art Institute of Chicago

Snow at Louveciennes, Camille Pissarro, c. 1870, oil on panel

Camille Pissarro Snow at Louveciennes, c. 1870 Art Institute of Chicago

Roses in a Vase, Pierre-Auguste Renoir, c. 1890, oil on fabric

Pierre-Auguste Renoir Roses in a Vase, c. 1890 Cleveland Museum of Art

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

We look slightly down onto a bare, gnarled tree near a gray, dirt path, which leads back to a hamlet in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes, so many details are indistinct.

Camille Pissarro The Fence, 1872 National Gallery of Art

Arques-la-Bataille, John Henry Twachtman, 1885, oil on canvas

John Henry Twachtman Arques-la-Bataille, 1885 The Met

River View in France, possibly near Pontoise, Johan Barthold Jongkind, 1855, oil on canvas

Johan Barthold Jongkind River View in France, possibly near Pontoise, 1855 Rijksmuseum

Houses on a Waterway near Crooswijk, Johan Barthold Jongkind, 1874, oil on canvas

Johan Barthold Jongkind Houses on a Waterway near Crooswijk, 1874 Rijksmuseum

Rotterdam in the Moonlight, Johan Barthold Jongkind, 1881, oil on canvas

Johan Barthold Jongkind Rotterdam in the Moonlight, 1881 Rijksmuseum

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met

Seven roses in full bloom are clustered in a wide bouquet set against a dark brown background in this horizontal still life painting. The blossom to our left is peach, and a bud dips down in front of that flower.

Henri Fantin-Latour _Roses de Nice_ on a Table, 1882 National Gallery of Art

Rue Notre-Dame, Paris, Johan Barthold Jongkind, 1866, oil on canvas

Johan Barthold Jongkind Rue Notre-Dame, Paris, 1866 Rijksmuseum

Vivid, lush view of rolling waves in purple, white, blue, and green against a bright blue sky with a watercolor-like blending of blues and purples. Sea and sky nearly become one.

Pierre-Auguste Renoir Seascape, 1879 Art Institute of Chicago

Woman Mending, Camille Pissarro, 1895, oil on canvas

Camille Pissarro Woman Mending, 1895 Art Institute of Chicago

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago