Impressionist Paintings for a Guest Room

Here are 232 Impressionist paintings for a guest room, painted between 1855 and 1928, with works by Claude Monet, Camille Pissarro and Eugène Boudin; the subjects they return to most are landscapes, and skies and weather. A guest room needs a painting that everyone likes: broad landscapes, gardens, flowers, soft seascapes and pastoral scenes in neutral or warm palettes.

All 1,199 paintings for a guest room

Every Impressionist painting, for any room

Stacks of Wheat (End of Summer), Claude Monet 24 × 40 in landscape print (61 × 102 cm), centered 69¼ in from the floor, 8 in above the headboard. Drawn to scale on a 12 × 8 ft wall.

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Showing 1 to 48 of 232 Impressionist paintings

Painting composed of short, dense brushstrokes depicts two domed stacks of wheat that cast long shadows on a field. The angled light indicates either a rising or setting sun.

Claude Monet Stacks of Wheat (End of Summer), 1890–91 Art Institute of Chicago

Painting of a beach on a cloudy day with several sailboats on the water, a few rowboats on the shore, and two groupings of people on the sand.

Claude Monet The Beach at Sainte-Adresse, 1867 Art Institute of Chicago

Painting of two fishermen in small wooden boat on rocky seas.

Winslow Homer The Herring Net, 1885 Art Institute of Chicago

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas, 1865, oil on canvas

Edgar Degas A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865 The Met

Jalais Hill, Pontoise, Camille Pissarro, 1867, oil on canvas

Camille Pissarro Jalais Hill, Pontoise, 1867 The Met

Winter landscape painting with rocky stream lined by orange leafed trees.

John Henry Twachtman Icebound, c. 1889 Art Institute of Chicago

Small painting of woman in pink and black sitting on park bench.

William Merritt Chase A City Park, c. 1887 Art Institute of Chicago

Impressionist painting of two girls on balcony, bright flower hat, knitting basket.

Pierre-Auguste Renoir Two Sisters (On the Terrace), 1881 Art Institute of Chicago

Early Morning, Tarpon Springs, George Inness, 1892, oil on canvas

George Inness Early Morning, Tarpon Springs, 1892 Art Institute of Chicago

A lone wheat stack, in shadow, rests on a field with traces of snow, the snow taking on reflected shades of pink, yellow, orange, and blue from the unseen setting sun. A line of pale yellow illuminates the horizon above the hills beyond.

Claude Monet Stack of Wheat (Thaw, Sunset), 1890–91 Art Institute of Chicago

Waterloo Bridge, Gray Weather, Claude Monet, 1900, oil on canvas

Claude Monet Waterloo Bridge, Gray Weather, 1900 Art Institute of Chicago

Painting in short strokes of pale blue, green, white, yellow, and pink, of a fisherman in one of two small boats on a river, a tree-lined bank and a bridge in the background.

Vincent van Gogh Fishing in Spring, the Pont de Clichy (Asnières), 1887 Art Institute of Chicago

The Crystal Palace, Camille Pissarro, 1871, oil on canvas

Camille Pissarro The Crystal Palace, 1871 Art Institute of Chicago

A snowy landscape in cool tones featuring a prominent, snow-dusted haystack in reddish brown in front of a row of red-brown trees and low, blue mountains, all beheath a pink-gray strip of sky.

Claude Monet Stack of Wheat, 1890–91 Art Institute of Chicago

View of a village surrounded by hills, fields, and trees, shown from a vantage point above the scene. Subtly rolling hills recede into a bluish gray-ish sky punctuated by white clouds.

Paul Cézanne Auvers, Panoramic View, 1873–75 Art Institute of Chicago

Painting of a cliff overlooking the sea. Two figures in long dresses, one with a parasol, stand on the cliff beneath blue sky.

Claude Monet Cliff Walk at Pourville, 1882 Art Institute of Chicago

Painting mostly in soft yellow, green, purple, blue, and pink of two wheatstacks, the right nearer than the left, in a country landscape at sunset.

Claude Monet Stacks of Wheat (End of Day, Autumn), 1890–91 Art Institute of Chicago

Venice, Palazzo Dario, Claude Monet, 1908, oil on canvas

Claude Monet Venice, Palazzo Dario, 1908 Art Institute of Chicago

The Customs House at Varengeville, Claude Monet, 1897, oil on canvas

Claude Monet The Customs House at Varengeville, 1897 Art Institute of Chicago

Charing Cross Bridge, London, Claude Monet, 1901, oil on canvas

Claude Monet Charing Cross Bridge, London, 1901 Art Institute of Chicago

Among potted flowers and lush foliage, a tiny child in a white dress plays with a hoop. A woman peers at the child from an ivy-covered building at right.

Claude Monet The Artist's House at Argenteuil, 1873 Art Institute of Chicago

A lone wheat stack, in shadow, rests on a snow-covered field that is rendered in shades of white, blue, yellow, and purple. A house can be seen in the distance on the right against the blue hills beyond.

Claude Monet Stack of Wheat (Snow Effect, Overcast Day), 1890–91 Art Institute of Chicago

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background.

Pierre-Auguste Renoir Chrysanthemums, 1881–82 Art Institute of Chicago

The Seine at Port-Marly, Piles of Sand, Alfred Sisley, 1875, oil on canvas

Alfred Sisley The Seine at Port-Marly, Piles of Sand, 1875 Art Institute of Chicago

Rabbit Warren at Pontoise, Snow, Camille Pissarro, 1879, oil on canvas

Camille Pissarro Rabbit Warren at Pontoise, Snow, 1879 Art Institute of Chicago

Rocks at Port-Goulphar, Belle-Île, Claude Monet, 1886, oil on canvas

Claude Monet Rocks at Port-Goulphar, Belle-Île, 1886 Art Institute of Chicago

Watering Place at Marly, Alfred Sisley, 1875, oil on canvas

Alfred Sisley Watering Place at Marly, 1875 Art Institute of Chicago

Painting composed of short, broad, linear brushstrokes suggesting green-leaved forest trees with light trunks on pale green grass.

Berthe Morisot Forêt de Compiègne, 1885 Art Institute of Chicago

Landscape along the Seine with the Institut de France and the Pont des Arts, Alfred Sisley, c. 1875, oil on canvas

Alfred Sisley Landscape along the Seine with the Institut de France and the Pont des Arts, c. 1875 Art Institute of Chicago

The Banks of the Marne in Winter, Camille Pissarro, 1866, oil on canvas

Camille Pissarro The Banks of the Marne in Winter, 1866 Art Institute of Chicago

The Loire, Alfred Sisley, 1896, oil on canvas

Alfred Sisley The Loire, 1896 Art Institute of Chicago

Mount Washington, Winslow Homer, 1869, oil on canvas

Winslow Homer Mount Washington, 1869 Art Institute of Chicago

Portrait of Mme Lisle and Mme Loubens, Edgar Degas, c. 1867, oil on canvas

Edgar Degas Portrait of Mme Lisle and Mme Loubens, c. 1867 Art Institute of Chicago

The Races at Longchamp, Édouard Manet, 1866, oil on canvas

Édouard Manet The Races at Longchamp, 1866 Art Institute of Chicago

Sea View, Calm Weather (Vue de mer, temps calme), Édouard Manet, 1864, oil on canvas

Édouard Manet Sea View, Calm Weather (Vue de mer, temps calme), 1864 Art Institute of Chicago

Bright landscape painting featuring spindly trees with lush leaves surrounded by light-green foliage, a small town visible between the trees at center, and a calm blue sea in the background.

Claude Monet Bordighera, 1884 Art Institute of Chicago

Painting of woman in a striped dress seated on the bank of a river, beneath a full, leafy tree, a boat at the shore and a village visible across the river.

Claude Monet On the Bank of the Seine, Bennecourt, 1868 Art Institute of Chicago

The Departure of the Boats, Étretat, Claude Monet, 1885, oil on canvas

Claude Monet The Departure of the Boats, Étretat, 1885 Art Institute of Chicago

Two haystacks, dusted with snow, in a hazy, snow-covered field at sunset. The snow is highlighted in purple tones, the sky a yellow and orange gradient.

Claude Monet Stacks of Wheat (Sunset, Snow Effect), 1890–91 Art Institute of Chicago

The Petite Creuse River, Claude Monet, 1889, oil on canvas

Claude Monet The Petite Creuse River, 1889 Art Institute of Chicago

Street in Moret, Alfred Sisley, c. 1890, oil on canvas

Alfred Sisley Street in Moret, c. 1890 Art Institute of Chicago

Trouville (Grey and Green, the Silver Sea), James McNeill Whistler, 1865, oil on canvas

James McNeill Whistler Trouville (Grey and Green, the Silver Sea), 1865 Art Institute of Chicago

Grey and Silver: Old Battersea Reach, James McNeill Whistler, 1863, oil on canvas

James McNeill Whistler Grey and Silver: Old Battersea Reach, 1863 Art Institute of Chicago

Light-colored snowscape with visible brushstrokes featuring a bridge in front of red and white barns and farmhouses, surrounded by trees.

Claude Monet Sandvika, Norway, 1895 Art Institute of Chicago

Haymaking at Éragny, Camille Pissarro, 1892, oil on canvas

Camille Pissarro Haymaking at Éragny, 1892 Art Institute of Chicago

Painting of a small pond dense with pink water lilies, their roots visible through the water, a railed footbridge arching over the pond and lush, dark green folliage surrounding it.

Claude Monet Water Lily Pond, 1900 Art Institute of Chicago

Coast of Maine, Winslow Homer, 1893, oil on canvas

Winslow Homer Coast of Maine, 1893 Art Institute of Chicago

Impressionist Paintings for a Guest Room

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