Impressionist Paintings for a Guest Room (page 4)

Showing 145 to 192 of 232 Impressionist paintings

Painting of softly rendered shapes in pale blue, green, and white. A textured green mass at left resembles foliage. Blue and white cloud-like forms fill the rest of the frame.

Claude Monet Branch of the Seine near Giverny (Mist), 1897 Art Institute of Chicago

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head.

Edgar Degas Yellow Dancers (In the Wings), 1874–76 Art Institute of Chicago

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Claude Monet Étretat: The Beach and the Falaise d'Amont, 1885 Art Institute of Chicago

Painted portrait of a seated young light-skinned girl with brown hair in a gauzy white dress and hat, eyes downcast, holding a basket.

Berthe Morisot Young Girl with Hat, 1892 Art Institute of Chicago

Peonies, Édouard Manet, 1864–65, oil on canvas

Édouard Manet Peonies, 1864–65 The Met

Poplars, Eragny, Camille Pissarro, 1895, oil on canvas

Camille Pissarro Poplars, Eragny, 1895 The Met

A Young Girl with Daisies, Pierre-Auguste Renoir, 1889, oil on canvas

Pierre-Auguste Renoir A Young Girl with Daisies, 1889 The Met

Bouquet of Chrysanthemums, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Bouquet of Chrysanthemums, 1881 The Met

Still Life with Flowers and Prickly Pears, Pierre-Auguste Renoir, ca. 1885, oil on canvas

Pierre-Auguste Renoir Still Life with Flowers and Prickly Pears, ca. 1885 The Met

Chrysanthemums in the Garden at Petit-Gennevilliers, Gustave Caillebotte, 1893, oil on canvas

Gustave Caillebotte Chrysanthemums in the Garden at Petit-Gennevilliers, 1893 The Met

A cloud of canary-yellow flowers with pumpkin-orange centers on tall stems with emerald and pine-green leaves fills the top half of this vertical still life painting.

Claude Monet Jerusalem Artichoke Flowers, 1880 National Gallery of Art

A loose arrangement of colorful wildflowers bursting out of a red clay jug sits near the back left corner of a tabletop and fills the top two-thirds of this vertical still life painting.

Pierre-Auguste Renoir Flowers in a Vase, c. 1866 National Gallery of Art

A pale-skinned young man with a carrot-red beard and hair faces us, straddling a green chair in a sunny outdoor setting in this vertical painting. The scene is loosely painted so his features are indistinct.

Édouard Manet George Moore in the Artist's Garden, c. 1879 National Gallery of Art

Woman in a Garden, Berthe Morisot, 1882–83, oil on canvas

Berthe Morisot Woman in a Garden, 1882–83 Art Institute of Chicago

A small child stands facing us on a sun-dappled path that runs up the center of a garden dominated by towering yellow and burnt-orange sunflowers in this loosely painted, vertical scene.

Claude Monet The Artist's Garden at Vétheuil, 1881 National Gallery of Art

Spring Flowers, Claude Monet, 1864, oil on canvas

Claude Monet Spring Flowers, 1864 Cleveland Museum of Art

Côte des Grouettes, near Pontoise, Camille Pissarro, probably 1878, oil on canvas

Camille Pissarro Côte des Grouettes, near Pontoise, probably 1878 The Met

A woman sits among loosely painted, crescent-shape blades of emerald and lemon-lime green grass, under tall trees in this vertical scene. The brushstrokes are unconnected and visible, so many of the details difficult to make out.

Claude Monet Woman Seated under the Willows, 1880 National Gallery of Art

The White Bridge, John Henry Twachtman, after 1895, oil on canvas

John Henry Twachtman The White Bridge, after 1895 Art Institute of Chicago

A seascape painted in pastel tones, light-colored houses with red chimneys and light-green shutters in the foreground. The scene is set on a rocky, green hillside overlooking a blue sea with small sailboats.

Childe Hassam New England Headlands, 1899 Art Institute of Chicago

Carmencita, William Merritt Chase, 1890, oil on canvas

William Merritt Chase Carmencita, 1890 The Met

Pink Azalea—Chinese Vase, William Merritt Chase, 1880–90 (?), oil on wood

William Merritt Chase Pink Azalea—Chinese Vase, 1880–90 (?) The Met

Tanagra (The Builders, New York), Childe Hassam, 1918, oil on canvas

Childe Hassam Tanagra (The Builders, New York), 1918 Smithsonian American Art Museum

Hunter and Dogs, Julian Alden Weir, 1912, oil on canvas

Julian Alden Weir Hunter and Dogs, 1912 Smithsonian American Art Museum

Marjorie and Little Edmund, Edmund Charles Tarbell, 1928, oil on canvas

Edmund Charles Tarbell Marjorie and Little Edmund, 1928 Smithsonian American Art Museum

This painting shows a cluster of trees against a bright sky in shades of pale yellow and pale seafoam green. Closest to us, a green-gray path stretches horizontally next to tall teal and blue grasses.

Julian Alden Weir Moonlight, c. 1905 National Gallery of Art

Round Hill Road, John Henry Twachtman, ca. 1890-1900, oil on canvas

John Henry Twachtman Round Hill Road, ca. 1890-1900 Smithsonian American Art Museum

Niagara Falls, John Henry Twachtman, ca. 1894, oil on canvas

John Henry Twachtman Niagara Falls, ca. 1894 Smithsonian American Art Museum

(Landscape), Julian Alden Weir, after 1900, oil on wood

Julian Alden Weir (Landscape), after 1900 Smithsonian American Art Museum

A woman stands on a sun-dappled path, which runs past a bank of blooming flowers and back to a cottage in this vertical painting.

Gustave Caillebotte Dahlias, Garden at Petit Gennevilliers, 1893 National Gallery of Art

Thaxter's Garden, Childe Hassam, 1892, watercolor on paper

Childe Hassam Thaxter's Garden, 1892 Smithsonian American Art Museum

The Garden in Its Glory, Childe Hassam, 1892, watercolor on paper

Childe Hassam The Garden in Its Glory, 1892 Smithsonian American Art Museum

A Washerwoman at Eragny, Camille Pissarro, 1893, oil on canvas

Camille Pissarro A Washerwoman at Eragny, 1893 The Met

A bouquet of cut flowers in a clear glass vase nearly fills this vertical painting. The vase has straight sides and the rounded bottom is supported by short, round feet.

Édouard Manet Flowers in a Crystal Vase, c. 1882 National Gallery of Art

Four flowers and greenery create a loose bouquet in a clear glass in this vertical still life, which is painted with visible brushstrokes throughout. The glass has a tall, narrow, rounded bowl on a flaring foot like a drinking glass.

Berthe Morisot Peonies, c. 1869 National Gallery of Art

The painting features a large gray watering can in the bottom right corner, set against a lush garden background. Bushes on the right side are speckled with dots of pink, yellow, blue, orange, and purple, suggesting flowers.

Georges Seurat The Watering Can - Garden at Le Raincy, c. 1883 National Gallery of Art

This painting shows a woman standing, facing the right, her head slightly angled downward. She has pale skin and dark hair and is wearing a long, pale, blue-gray dress with wide sleeves adorned with black stripes.

Pierre-Auguste Renoir Woman in a Park, 1866 National Gallery of Art

Irises, Claude Monet, 1914–17, oil on canvas

Claude Monet Irises, 1914–17 Art Institute of Chicago

Marshal Ferdinand Foch, Edmund Charles Tarbell, 1920, oil on canvas

Edmund Charles Tarbell Marshal Ferdinand Foch, 1920 Smithsonian American Art Museum

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present.

Eugène Boudin Low Tide at Scheveningen, 1875 National Gallery of Art

Two dark-skinned women stand facing each other on a dirt path that runs beside a body of water in this horizontal painting. One woman faces us and balances a flat tray loaded with white cloths on her head.

Camille Pissarro Two Women Chatting by the Sea, St. Thomas, 1856 National Gallery of Art

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

Barges at Pontoise, Camille Pissarro, 1876, oil on canvas

Camille Pissarro Barges at Pontoise, 1876 The Met

Steamboats in the Port of Rouen, Camille Pissarro, 1896, oil on canvas

Camille Pissarro Steamboats in the Port of Rouen, 1896 The Met

Figures on the Beach, Pierre-Auguste Renoir, 1890, oil on canvas

Pierre-Auguste Renoir Figures on the Beach, 1890 The Met

Allée of Chestnut Trees, Alfred Sisley, 1878, oil on canvas

Alfred Sisley Allée of Chestnut Trees, 1878 The Met

We look across a strip of tall grass and flowers at a river that winds into the distance in this loosely painted, horizontal landscape.

Claude Monet Banks of the Seine, Vétheuil, 1880 National Gallery of Art